Apotheosis @ Farthest from the Sun Review

Apotheosis
Farthest from the Sun
Nocturnal Art Productions
2002

Much like Tartaros and Choronzon, Apotheosis is a one-man symphonic and progressive sonic venture; although unlike this couple’s geographic location, Sauron’s somewhat far-fetched and warped creation arrives from sunlit Malta, a place hardly known by any Metal exponents.
Ever since its inception in 1993, Apotheosis’ core purpose is to blend ambient electronic music, with the forceful sound and feel of Black Metal, adding a tiny glitter of Thrash Metal in its overall epic and valiant intricacy. This amalgam of elements has resulted in a pretty exciting approach, offering something unusual in its own distinctive line of attack, while providing a broader range of moods to a genre that has been dry for some time now.
Another remarkable aspect in relation to Farthest from the Sun, is that the four symphonies comprising it, range from approximately 10 to 15 minutes each without ever losing a fragment of their dynamic energy, and they always underline the elaborate and multilayered gloomy sensitivity.
In a nutshell, it’d be appropriate to believe that Sauron has established his own niche with this revolutionary debut and will hardly find any adversities from his peers around the globe.

Apotheosis
Nocturnal Art Productions

Advertisements

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s